What does jvm stand for marshall

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Thread starter angelspade Start date Nov 26, Seem very versatile, with a broad pallet of tones. Also, I have noticed that a few have been popping up for sale pretty cheap here and there. I'm thinking about pulling the trigger.

For the guys that own, have previously owned, or have extensive played these amps, I would like some opinions. Even mores specifically: 1. Are they reasonably well built and reliable? What other amps would you compare them to tonally?

Big improvement? Understanding that ALL amps sound better when cranked up How does it do at living room volumes? Any an all options and feedback is appreciated PCB with digital circuitry. I don't think that you'll retire with it , but they have a pretty good track record. They have a lot of sounds inside, hard to compare it to a single amp but it does clean, crunch, and metal fairly well.

The noise gates on the JS are a very nice feature but the clean on the regular one is better. Sounds very good at low volume levels. Click to expand They're pretty versitile, but to my ears were missing something I've come to expect from a Marshall. And the will sound better doing it and have a lower noise floor.

The typical 12t75 speakers don't fit the sound of that amp well I would say it sound a little more scooped on the od channels. Basically I don't like it because if I want high gain Marshall I can get way better amps that do that for less money that are built much better. Anyone who complains about too much gain needs to learn how to turn the gain knob down.

I never go past 1 on any of the channels. On OD1 in the orange mode with the gain on 1 it nails the tone of a JCM, if you are playing at band volume! Because people don't really have clue what they are talking about or a proper frame of reference. Not my experiences at all. IMHO, its an amazing amp and with a little common sense.

Does it nail a superlead or a JCM? When you crank the gain on damn near anything youre going to get a little hiss but so what? It definitely benefits from quality tubes that are biased a bit hotter than stock. Dont forget that sometimes, you may have to play a couple to get a good one, the same can be said about anything mass produced. Between all of the modes, cranking the power section and judicious use of pedals, you can get great tones across the entire gain spectrum from mild to wild I love this amp and have played and gigged with practically everything under the sun and this is the amp that cured me of GAS for good.

I started with Marshalls and some pedals and have come back full circle though Im doing it with a slight bit of a modern twist thanks to advances in tech. The bottomline? Switch to the Orange setting and another gain stage is added. When you flick to the Red setting yet another gain stage is added to the circuit for a heavy Marshall roar.

This channel is typically reserved for heavier rock and metal playing, thanks to the frequency of the mids being shifted down. The Green setting provides a new take on high gain playing and is well suited to searing leads and modern metal. The Orange setting has similar features but with even more gain, whereas the Red setting features… you guessed it, even more gain.

Alongside that exquisite tone, the JVM, which is an acronym for Jim and his daughter, Victoria Marshall, had a few tricks up its sleeve to make it more user friendly.

One of these tricks is that despite being a valve amp the JVMH features an easy to control digital reverb. This is routed in parallel, so the actual signal does not contain any reverb. The signal is then mixed back in via a valve so it complements the sound of the amp rather than fights against it. On top of this the JVM also features both series and parallel effects loops, making it fully customisable and incredibly useful no matter the show or recording session.

The price to pay for all these options is a rather intimidating control panel, featuring a whopping 28 knobs and 8 switches. However, once you get to grips with it, the control panel is surprisingly easy to figure out. Once a guitarist has got to grips with the control panel and figured out their preferred settings for each channel, they can then utilise the footswitch too.