How old is tully kennedy

Just Feels Good. Thompson Square. Feels Like Carolina. Producer, Editing, Programming, Instrumentation. Night Train. Dierks Bentley. Hard 2 Love. Lee Brice. Guitar Electric. Guitar Bass. Coming Out of the Pain. Amy Dalley. The Confessions of a Nice Girl. Katie Armiger. My Kinda Party.

Bandleader, Vocals Background , Bass. Wide Open. Middle America. Mark McKinney. Vibraphone, Bass. Holly Hardin. Larry Berrio. Beautiful Life. Doc Walker. Right Now. We Back. Two Thousand Miles. Tyler Rich. Tiny Town. Taking Chances. Courtney Dickinson. Stay Broke. Sexy Summer Staples. Please Come Home for Christmas. Party Tyme Karaoke: Instrumentals, Vol. Party Tyme Karaoke. Other LA. On the River. Country, Vol. Memorize You. Long Shots.

Tim Montana. Keeping It Small Town. If I Didn't Love You. Bass, Composer, Programmer. Here's to Anyone. Ground I Grew Up On. Got What I Got. God Bless the USA. Go Easy on Me. Get Em Up. Dirt We Were Raised On.

Cover Girl. Country for Kids. The plan was to spend a few months there and move on. Within a week of his arrival, he met Michael Knox, who was running Warner-Chappell and working with a new artist named Jason Aldean. Kennedy soon found himself in the company of studio veterans like Michael Rhodes and Mike Brignardello, and discovered that the Nashville recording scene was, in fact, eye opening.

I learned quickly how incredible it is to be able to do that here. Nashville does things very fast, and being a studio musician here is challenging.

During this time, he met guitarist Kurt Allison and drummer Rich Redmond. That was more than 20 years ago. Now, in , Kennedy is celebrating almost as many years with Aldean, who released his eighth album, Rearview Town, on 13 April. Still, with all that has happened, he remains a bit incredulous and humbly grateful for his many accomplishments.

Why do you prefer nickel-plated over stainless, and why do mediums work best for you? But they saw potential. So I put these nickel-plated strings on, and the tension and feel were amazing. They really are part of my tone. I grew up playing. My gauge is an. I like to play with as much dynamic as possible.

With the. So on tour, on average, I change them every fourth show. How long have you played Sadowskys and why are they right for you? Maybe change is not your thing? A lot of this is loyalty, too. Michael Rhodes turned me on to Sadowsky. Those basses are my thing.

Again, that is my tone. They came on with me in or , when they were a brand-new company. I did hit one bump in the road. We had a huge flood here [in ] and I lost a lot of my old Aguilar gear. It was in our studio lockers, so it was under eight feet of water and mud. I was fortunate to find those pieces again and buy some of them online. Mike Brignardello had some of the same pieces I use, so he gave me those, and I was able to rebuild my stuff.

I use the same exact gear in the studio. The Aguilar has been my mainstay. So yeah, those companies, the quality of the stuff, and the way I play just seems to work for me. I like to hear the wood of the bass.

The wah is something I got from him. It makes an appearance every now and then in the bridge of a song or maybe an intro. I use it in the studio and on the road. I use the Dunlop Bass Wah, which is the greatest wah pedal.